We can’t wait for the new Star Wars Film! Check out the trailer below!
Some interesting facts about The Avengers were recently reported by Hypable. “Five out of the six Avengers that make up the largest movie franchise in the world are straight, white, conventionally-beautiful males. That’s over 83% of the Avengers franchise headlined by people born of systematic privilege.” Will this affect your decision on whether you will support the upcoming Avengers film? Click here to read more.
Furious 7 opened to a franchise-best $384 million last weekend at the global box office, including $143.6 million domestically — the biggest debut since The Hunger Games: Catching Fire in November 2013 ($158 million). More impressive, its global bow was the fourth-best of all time. According to Universal Pictures, 75 percent of the audience in North America was non-Caucasian, generally in line with previous installments. Hispanics, the most frequent moviegoers in the U.S., made up the majority of ticket buyers (37 percent), followed by Caucasians (25 percent), African-Americans (24 percent), Asians (10 percent) and other (4 percent).
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Michelle Rodriguez was recently asked if she would consider playing the role of Green Lantern in a new retake film for DC Comics. She responded by saying she thought it was ridiculous for minorities to be cast as white superhero characters.
“Stop stealing all the white people’s superheroes,” she said. “Make up your own.”
She later explained on Facebook that she thinks it’s silly to try to change superheroes to fit different actors, like turning a guy into a girl or a white character into a black character. She further elaborated that we should develop new minority characters rather than adapting existing characters to be played by minorities. Click here to read TheCelebrityCafe article.
Sunday’s Academy Awards show enlisted the most diverse group of performers and presenters in Oscars history, as 15 minority presenters, including Eddie Murphy, Jennifer Lopez, Viola Davis, Idris Elba, Kevin Hart and Oprah Winfrey, took the stage to deliver the evening’s awards. However, the absence of any minority group nominees in the acting categories, for only the second time since 1998, shows that the film industry is not reflective of American society. Click here to read more.
According to The Hollywood Reporter, longtime William Morris Endeavor agent Tyler King, will be launching his own media firm, MACRO, that focuses on developing content for multicultural audiences.
Geena Davis has teamed up with ARC Entertainment to launch a new film festival in Bentonville, AK and will champion women and diversity in film. It will also be the first and only film competition in the world to offer guaranteed theatrical, TV, digital and retail home entertainment distribution for its winners. Click here to read more.
O.K. let’s see if this makes sense.
No doubt, one of the most talked about films so far this year is Darren Aronofsky’s Noah. The film has gotten its share of rave reviews, though there are those who have major problems with it. However, one cannot deny that it is truly an ambitious, unique and original film – the kind of risk-taking movie you wish Hollywood would make more of, like they used to.
However, there is that one thing; That one thing that stuck out in my mind when I saw the film: “Hey, where are the black folks or people or color in the film?”
If this film had been made back during the epic “Biblical film” era, in the 1950s, well then, yes, you would expect that.
But even Cecil B. DeMille’s The Ten Commandments has black people in it. So, here we are well into the 21stcentury, and Noah is populated with nothing but white people, many who speak with British or Australian accents.
Well, in a new interview on the website The High Calling (HERE) the co-screenwriter of the film Ari Handel, who wrote Noah with Aronofsky, was asked about the lack of diversity and addressed by saying:
“From the beginning, we were concerned about casting, the issue of race. What we realized is that this story is functioning at the level of myth, and as a mythical story, the race of the individuals doesn’t matter. They’re supposed to be stand-ins for all people. Either you end up with a Bennetton ad or the crew of the Starship Enterprise.”
He goes on to say:
“You either try to put everything in there, which just calls attention to it, or you just say, “Let’s make that not a factor, because we’re trying to deal with everyman.” Looking at this story through that kind of lens is the same as saying, “Would the ark float and is it big enough to get all the species in there?” That’s irrelevant to the questions because the questions are operating on a different plane than that; they’re operating on the mythical plane.”
Really? That’s the best he could do? Why not just say, we just didn’t want to be bothered? I would have bought that.
So let me see if I understand this. In other words, if we put black people or POC in the film, then people would notice it, and that would have been like really, really distracting, taking people out of the film. So instead, we got a whole bunch of white British, American and Australian actors to represent all mankind, because it‘s just a lot easier?
And, furthermore, putting people of color in the film would have somewhat diminished the biblical Noah, making it look, God forbid, like some kind of Star Trek movie?
Sorry I’m all confused here. I was thinking that, if you want to represent all mankind in a film, then wouldn’t it make sense to have a cast that did actually represent all of mankind, in every color and hue, instead of having an all white cast, and telling audiences to just squint their eyes, and pretend that he’s another race, because it’s all just a myth after all? So black people can’t be mythical too? Nope, I guess we’re too real, too urban.
Am I wrong here, or is Handel? You tell us.